![]() ![]() This unsettling dreamlike endeavor is a worthy rediscovery. In place of plot, Dick creates a pervasive sense of dread for those who give their lives to art. The faceless nature of the antagonists-whose philosophy, goals, and power structures are unspoken-runs counter to other mid-century dystopian tales and leaves space for interpretation. The narrator, meanwhile, rejects encouragement to give up living alone (“They fear solitary living, therefore envy it,” a friend says), even as “they” become more aggressive. But the attacks are also haphazard and often leave people unscathed, creating uncertainty as artists continue about their business. ![]() ![]() ![]() When a writer refuses to burn her manuscript, the group severely burns her writing hand. The anonymous band lurks in the countryside, pilfering books and artworks, and punishing those who refuse to give up their creative enterprises. Meanwhile, a group known only as “they” are bent on destroying art and literature and on punishing artists. The unnamed, ungendered narrator is a writer living on the English coast who spends their time visiting other writers and artists. Harsh punishments await anyone bucking society’s norms in this eerie, atmospheric story from English writer Dick (1915–2001) first published in 1977 (before The Two Faces of Robert Just, as Jeremy Scott). Kay Dick Born in London, The United Kingdom JDied Octoedit data Dick was born Kathleen Elsie Dick at Queen Charlotte's Hospital, London, England, UK, but was but raised in Switzerland by her mother, Kate Frances Dick, being educated in Geneva, as well as at the Lyce Franais in London. ![]()
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